Materials: Source Gabriel's Angels Here

Here, we will change the vectors, the fonts, or dings, bangs where you will find many pictures that we can make beautiful tubes for our collection. Continue if, retouch, giving volume with shadow and light

1 º Open a new image 400/400, I usually put a color that contrasts with the work will do well, the results look better and work more comfortable. In the Text tool open source Gabriel's Angels, I use the letter 'Q' with a size of 100.

2 ° Before turning to coat deployment, agrandaremos until the size you like it or agree. We'll start with layers and why it has to go below of all, here is the face of the angel.

) de primer plano y anular el color de fondo. 3 In the color palette will get a solid color (# FAAC60) override foreground and background color. Configure the pencil design as follows:

We add a new layer of deployment and 'draw' the face of the angel:

We will, point to point, leaving little space between the points:

We stay easier and better:

4 ° Hide the layer located on the angel and just 'draw' selected inside the face. Select / Modify / Zoom, 1 pixel or 2, depending on each figure.

Add a new layer. And remove the selection, the color palette will one of the same tone as the previous but more clearly. (# FAC490) and fill the area. Remove the selection.

5 ° Let the layers palette and reverse the position of the last two in which we have worked to draw the profile first, is above the fill just do:

6 th Duplicate the layer we call profile and merge this copy and we call 'filler face'

(* Note: Always make a copy and hide the original, if I had to repeat the action for any reason.)

We protect the transparency of the layer in which we work:

7 ° In Touch / Manchon put the following settings:

And mix the colors, so that they are darker areas on the neck and where will the angel's hair:

(If necessary we can add the darker color using the airbrush and then extend Manchon.)

8 th will add a new layer of deployment and we will draw the eyes and mouth of the angel. For the eyes and eyebrows, use the same color to make the profile. # FAAC60, keeping the null background. For the lips, the # D33131, both in the foreground, as background for the same fill color:

9 th In Touch, we set the option to Clarify:

And located in the layer of the face, gently apply slightly between the eyebrow and the eye. Also just below the eyelid and cheek.

With Manchon, varying the size not to extend nothing but what we want, we give hints to blend and mix colors. The result should look something like this picture:

Merge all layers of the face:

Look at the above screenshot of the layers palette, I always work on a copy of the original layer, if something I do not like the end, I can quickly return to start.

Also remember saving the image to go often, if it happens to Psp some 'nonsense' This is the procedure with all the Angelito or image that you have chosen.

You could say we work in stages or groups of layers. The profile, fill, and then use the tool to touch up your options as they become relevant.